When you say Telecaster you say ash wood. Or something more precise: swamp ash or Swamp Ash. Why? Because Leo Fender used it for the first legendary electric guitars in the 1950s. He started with spruce, but that was a bit too soft and heavy. Swamp Ash was lighter, sturdier, had a nice pattern, it was cheap at the time and widely available: perfect for someone planning to build a lot of guitars. And did we mention that Swamp Ash sounds like a bell? Bright, beautiful midtones and a wonderful sustain.
But currently swamp ash is struggling due to climate change. It grows mainly in the United States and as the name suggests it needs a somewhat moist and stable surrounding to grow in. Due to flooding, it is now often either too wet at or too dry and swamp ash suffers as a result. It becomes more expensive, while the quality decreases.
Viva Paulownia!
Fortunately, there are very good alternatives, such as Paulownia. This tree has been popular in the East for centuries as a fast-growing park vegetation. Within ten years or so you you get a full grown Paulownia that fans out nicely beautiful leaves. In China and Japan they use the wood for furniture and for traditional stringed instruments such as the koto and pipa.
The wood is so incredibly light, we sometimes call it aluminum with a grain, because Paulownia has beautiful dramatic drawings. You can tell straight away that it is really a solid piece of wood by looking at it. But when you lift it, it does make you wonder what it is due to the weight. Thanks to the rapid growth, Paulownia is a lot more sustainable and cheaper than swamp ash and it is now also planted and harvested in Europe. Paulownia is fast becoming a perfect, local alternative to swamp ash. Fender now also uses it in the Brad Paisley model en Suhr is also turning it into beautiful guitars..
Paulownia by Kauffmann
But the real King of Paulownia is undoubtedly Kauffmann Guitars from our own little country. About three years ago, boss Albert Deinum wanted to develop a new guitar. A nice, quirky model, slightly larger than usual, offset shape, tough, robust, but also super-ergonomic. A guitar that feels like coming home. Like a warm woollen jumper that doesn't sting. Like something cosy. Like something...Cozy....
Such a guitar can't be too heavy, of course, so Albert started looking for the right tonewood. Swamp Ash fell out, as did the popular alder. Far too heavy. Gibson very cleverly uses the light korina in the Flying V, for instance, but that wood comes from far away. And then, courtesy of Google, Albert stumbled across Mario Guitars in Nashville with his Paulownia Guitars. Could that be something?
After some experiments, it turned out to be a hit.
"And the sound? Well, maybe that was the biggest surprise. I was afraid it would sound a little bit tame, or boring, but it absolutely isn't! The wood is dry, stable and very resonant so it gives a striking amount of volume. Even if you play unamplified. Every piece of wood is different, but I often hear nice warm mids, clear lows and never ever any annoying shrill highs. It doesn't have the ice pickiness swamp ash sometimes has. It leans towards the mellow tone of alder, but not too much either. For me, it sits right between swamp ash and alder."
Are there no disadvantages to Paulownia? Yes, of course there are. It is soft and that makes it susceptible to scratches and bruises. So if you're looking for a guitar that will look like new in five years, then a Paulownia guitar with a soft nitro finish is not the first choice. If you are looking for a lightweight guitar that you will quickly show much you play it, then Paulownia is perfect.
Do you want to try a Kauffmann guitar? The Fellowship of Acoustics has been a fan and Official Kauffmann Dealer for years, so the coffee and the Paulownia are ready in Dedemsvaart!
